Superman II: The Richard Donner Cut (2006) — Something I didn't know:
Superman (1978) and
Superman II (1980) were written as a single storyline and mostly shot back-to-back, but the producers didn't like the continuity so they got another director to shoot new scenes. Specifically, the entire opening with the terrorists at the Eiffel Tower, much of the trip to Niagara Falls, the giving up and then regaining of powers, and even the ending. "Dick" Donner (hey, he insists) threw a fit and disowned
Superman II, at least until this new cut was done with his original footage.
Well, the producers were right and "Dick" was wrong. This cut is laughably bad at many points (I'm looking at you, Clark's Magically Morphing Hairstyle in the Honeymoon Suite), and while I understand why Donner believes his version does a better job of developing the relationships between Lois and Clark and between Jor-El and Kal-El, it just doesn't work. Donner forgot
the mythology of Superman.
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Speed Racer (2008) — Better than I thought it would be, albeit with a strange fixation on
drifting. Wonderfully psychedelic with lots of in-jokes and cartoon violence. Very much like
Scott Pilgrim vs. the World (2010) in style, although not as good. (To be fair, few movies are as good as
Scott Pilgrim, but whatever.)
Unfortunately, it failed at the box office for the same reason that
Scott Pilgrim did: the target audience is a narrow band of Gen X'ers who are old enough to get the references but young enough to enjoy the goofiness. Reading
the New Yorker's review just made me angry.
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Battle: Los Angeles (2011) — Terrible. Take the premise of
Independence Day, re-do it in the style of
Cloverfield, and then ruin it with every war movie cliché you can think of. In fact, you can imagine that was
the pitch in some Hollywood producer's office. But at least
Cloverfield was a fresh twist (at the time) and
Independence Day had a healthy sense of humor about itself.